July 2025 Vertical Short Drama Market + August Heat Check
July 2025 at a glance: 100M+ downloads, $209M+ in net revenue
July 2025 was a milestone for vertical short dramas.
Across 256 apps, monthly downloads passed 108 million for the first time (up 22.14% vs. June), while net revenue from paid episodes and memberships topped $209 million (up 8.96%).
Where the growth came from
- Revenue leader: United States. July revenue reached $95.53M (up 6.31% MoM), accounting for 45.64% of global net revenue. Downloads were 9.50M (up 15.44%).
- Download leader: India. July downloads hit 21.078M (up 191.31% MoM). Net revenue was $1.714M (up 6.68%), suggesting a market tilted toward ad-supported monetization (IAA) rather than pay-per-episode.
- Other top download markets (July): Indonesia, Brazil, the United States, Mexico, the Philippines, Colombia, Thailand, Saudi Arabia, and Peru. It was the first time Saudi Arabia and Peru appeared in the top ten, a sign that the format is spreading quickly in the Middle East and Latin America.
Platforms: who’s winning
- Top tier by revenue (July):
ReelShort ~$48.739M; DramaBox $40M+. - Strong second tier:
NetShort ~$18.904M; GoodShort ~$17.260M; DramaWave ~$17.029M; ShortMax ~$11.378M. - Top by downloads:
ReelShort, DramaBox, and Kuku TV each cleared 10M+ monthly downloads. Kuku TV was the breakout, adding ~11.064M downloads and finishing #3, only ~1.16M behind DramaBox. It’s also the only India-based platform appearing in both the download and revenue top tens, underscoring the power of localized content and distribution.
Early-August momentum (Aug 4–10)
Titles trending by engagement score (DataEye):
- The Mafia Boss — 5.625M (rank #1)
- Too Young to Want Her Professor — 3.997M (rank #2) (My Drama App)
- Spark Me Tenderly — 3.294M (rank #3) (My Drama App)
- Lost Before I Found You (AI-driven melodrama) — 2.965M (rank #5)
Across the Top 30 titles, combined engagement was ~49.5M, 8.6% lower than the prior week, but 17 titles still topped the 1M threshold. Genres cutting through: organized-crime romance, taboo student-professor romance, and AI-inflected drama.
Paid marketing: who is spending
For the week of Aug 4–10, ad-creative volume was led by:
- My Drama — ~52K
- DramaWave — ~46K
- Kuku TV — ~32K
Across the Top 30 apps, total creatives reached ~351K (+11.6% WoW). Growth chart (Top 20) shows +51,043 creatives (+30.99% WoW), with My Drama adding ~11K and DramaWave ~7K. Primary channels: Facebook and Instagram.
Audience snapshot of My Drama: Female viewers made up ~92.32% of the audience over the last 30 days. Age skew: 25–34 (42.48%) > 35–44 (30.5%) > 18–24 (16.45%). That profile explains why romance-forward and “forbidden” tropes are over-indexing.
What we can see from this data are…
- Monetization gravity stays in the U.S. Even with massive download spikes elsewhere, the U.S. remains the world’s single largest pay market. If you produce for English-speaking audiences, keep optimizing for subscription and pay-per-episode ARPPU while testing ad-supported bundles for broader reach.
- India is all about scale + ads (for now). If you localize stories and run UA efficiently, you can build reach fast; expect lower immediate ARPU but stronger ad yield if your completion rates are high.
- Local players can break out. Kuku TV shows how fast a market-native app can climb with the right slate and UA playbook. Expect more region-first entrants to punch into global top tens.
- Genre signals are clear. Mafia romance, taboo relationships, and AI-tinged melodramas are driving watch intent. On vertical, extreme close-ups + fast-moving reversals still convert best.
- UA is a knife fight. Creative volume is surging at the top. To keep CAC predictable, rotate creatives faster, test “Episode X twist” hooks, and match audience cohorts (e.g., women 25–44) with tailored copy and thumbnails.